Once Upon Forever Changing Times in Hollywood

black and white rendering of Brad Pitt & Leonardo DiCaprio from the poster for Quentin Tarantino's ONCE UPON A TIME IN HOLLYWOOD, surrounded by an intricate, brain-like maze
Illustration by Eric J Eckert

For the hot new issue of Many Loops (aka ), I wrote a thing called “Once Upon Forever Changing Times in Hollywood.” It’s sort of a mind-bending personal odyssey, wrapped in an examination of Quentin Tarantino’s cinematic war against the tyranny of history, wrapped in a half-finished movie review written 25 years in the future:

July 29, 2044

It must be nearly 50 years since I got my mind bent at the movies like that.

I just saw Once Upon a Time in Tennessee, the latest addition to the Quentin Tarantino Cinematic Universe. My expectations were modest, as they’ve been for all these films ever since Tarantino officially retired and sold his intellectual property to Sony. I’m always curious to see other filmmakers explore his world, employ his characters, and actualize his numerous unfinished ideas. But I’m also keen to remind myself that overabundant film franchises are bound to be inconsistent. (See also Marvel, DC, Star Wars, and Harry Potter, as the 2010s grinded along). As a result, I’ve been pleasantly surprised by stuff like The Vega Brothers and Killer Crow and Queen Medieval, and only mildly disappointed by stuff like Fox Force Five and The Adventures of Hangman Ruth and Jules Winnfield Walks the Earth.

Read the entire piece over at Many Loops.

 


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